Please note that Rosenthal Musikmanagement is available at new telephone numbers from now on:
Tel: +49 (0) 341 99 18 71 – 50
Fax:+49 (0) 341 99 18 71 – 55
Tel: +49 (0) 341 99 18 71 – 51
The postal address remains unchanged. We look forward to hearing from you by telephone or e-mail!
Ragna Schirmer will run an extraordinary marathon in Dessau on 2 May
Pianist Ragna Schirmer will face an impressive challenge in the Dessau Theatre on 2 May at 6.30 pm. For the first time and together with the Anhalt Philharmonic Orchestra of Dessau under chief musical director Antony Hermus, all of Ludwig van Beethoven’s five piano concerts will be performed in one night.
The first two concerts no. 1 and 2 will be played on a historical pianoforte, the later works on a modern Steinway. For some four hours, the audience will embark on an exciting journey through musical history. Beethoven‘s piano concerts bear impressive witness to the times when the first modern instruments slowly replaced the pianoforte. Whilst the earlier two concerts, composed between 1785 and 1801, are still very much oriented towards the Viennese classical period, the third one sets new standards by being laid out more symphonically. With his fourth and fifth concerts, Beethoven contributed significantly to the development of the genre and the transition to Romanticism.
With her unique interpretations, Ragna Schirmer is highly regarded internationally. The pianist is distinguished by her art of nuancing, her attention to detail, and place compositions in a modern context. Her latest project features Handel’s organ concerts adapted for piano and chamber orchestra, which sound just as magnificent as for pianoforte and baroque ensemble or for Hammond organ and jazz ensemble. The three-cd box by Edel is completed by Guillaume Connesson’s Concertino pour Piano, which was composed especially for Ragna Schirmer.
Amarcord is the proud owner of a total of six Contemporary A Cappella Recording Awards, the so-called “a capella oscar”. The quintet received this international award for their album “Folks & Tales“ in the category Best Folk/World Album 2014. The highest honour in this genre was awarded at a gala in Boston on Friday night.
For their album Folks & Tales, Amarcord collected the world’s most beautiful folk songs during their concerts in more than 50 countries – the outcome is a journey from Cuba via Ghana, Russia, and Thailand to Japan and Australia. The arrangements, which are influenced by pop, jazz, and classical music, are perfectly tailored to the ensemble and awaken longings for faraway countries while capturing traditions and stories of different nations – always featuring Amarcord’s inimitable style: a mix of vocal brilliance, a homogenous and warm sound, and a healthy dose of charm and humor. Seemingly effortless, the quintet juggles the chants of the Middle Ages, the Renaissance, the Baroque, the European Romanticism, and the Modern Age, as well as folk songs and Jazz standards.
Two ECHO Classical awards and six Contemporary A Cappella Recording Awards, the “a capella oscar”, are proof of the vocalists’ successful career. Some of their exceptional productions include “Die Motetten“ (“The Motets”, Sony) with the Lautten Compagney, “Folks & Tales“ (RK ap 10213), “Rastlose Liebe – ein Spaziergang durch das romantische Leipzig” (“Restless Love – A Walk through Romantic Leipzig”), and “The Book of Madrigals“. At the end of August 2014, Claudio Monteverdi’s Marienvesper together with the Lautten Compagney will be released on the Carus label.
After having caused international stir with their Ernest Bloch recording in 2011 and being awarded an ECHO Classical, young Swiss Galatea Quartett combine inspiring string quartet compositions by Debussy, Milhaud, and Menu on their latest album “Belle Epoque“.
The focus of the CD, which is to be published on 21 March 2014, is Claude Debussy’s ground-breaking String Quartet, resonating in Darius Milhaud’s First String Quartet and Pierre Menu’s Sonatine pour Quartour á cordes. Menu’s oeuvre is without doubt an extraordinary discovery – after all, this highly talented composer is widely unknown.
Besides their classical repertoire, Galatea Quartett also explore new territory and develop innovative, interdisciplinary concepts, very much in the spirit of the string quartet’s own profile. In collaborating with Jon Lord (Deep Purple), Tina Turner, and writer Urs Faes, the Swiss artists have already crossed the border of classical music in an impressive way.
Simone Kermes is regarded as the “Primadonna of Early Music”. Her domain is 18th century belcanto repertoire: Handel, Vivaldi and Purcell, Pergolesi, Porpora, and Hasse. She rocks the stage with highly virtuoso arias and is treated like a pop star. Born and bred in Leipzig, Kermes is an unusual opera singer in so many ways – and an excellent performer. Her Vivaldi and Handel recordings are among the best worldwide and have been showered with prizes and awards.
The magazine “Opera News” called her the “Queen of Baroque”, and in 2011, she was awarded with the Echo Classical as singer of the year for her album “Colori d‘amore”. We are pleased to represent this wonderful artist and look forward to the collaboration!